Reuters: China’s terracotta tomb site hides mystery building

Reuters reports today that a 30-meter building is buried inside of the vast mausoleum of Qin Shihuangdi.

Duan Qingbo, a researcher with Shaanxi Institute of Archaeology, said the building might have been constructed for the soul of the emperor to depart.

Archaeologists have been using remote sensing technology since 2002 to study the internal structure of the unexcavated mausoleum.

They concluded that the building, buried above the main tomb, had four surrounding stair-like walls with nine steps each, Xinhua said.

Duan Qingbo has been vocal in opposing opening the mausoleum too quickly, arguing that doing so could possibly damage priceless artifacts or evidence, all just to satisfy local officials hungry for tourist dollars.

Li Datong on the "The root of slave labour in China"

Li Datong, the former editor of Freezing Point (bingdian 冰点) has a post at openDemocracy on the Shanxi slavery case. Li’s point is that the sort of corruption that permits such atrocities to occur cannot be solved without systemic reforms: If political reform is delayed even further, more serious political crises will emerge. The core aspect of reform is passing some of the power to society. Unaccountable power has led to corruption [12] as high up as the politburo, and modern-day slavery at the bottom of society. No part of the political system is clean. No surgeon would be arrogant enough to perform surgery on himself, and the party should be the same. The diseases of the system can only be cured by reform of the system. Delaying the treatment can lead only to death.

Excellent post.

Morning Tea: Taipei Palace Musuem going digital…Lu Xun and decolonization…A brief history of Chinese-Filipino contacts

A few links, some of which might require a quick annotation or gloss on key words:

–Michael Turton reports on The View from Taiwan that The National Palace Museum in Taipei has begun digitizing its immense collection “of loot Chinese Art treasures.”

–EastSouthWestNorth has translated an article by the “Off Track Scholar” (壞軌書生) entitled “Commemorating the Return, Commemorating Lu Xun,” originally published on InMediaHK. Off Track Scholar argues that decolonization, in this case the return of Hong Kong, is less about throwing off old masters than about doing away with a colonial mentality of obsequiousness of, what Lu Xun called, “the lackeys of colonialism.” Off Track Scholar suggests: In a society that has just been de-colonized, obsequiousness will not disappear immediately afterwards. Obsequiousness will hide within society and take revenge on behalf of the imperialists under different guises. Therefore, the degree to which a former colony has waken up from colonialism depends on the number of people who are still under the sway of obsequiousness.

I couldn’t agree more about the destructiveness of colonialism or the long-lasting effects of decolonization–in fact, that’s the subject of my research. But in this case, “obsequiousness” seems to include in its definition “fighting for

Animated Chinese Painting and Calligraphy in 3D

Simply stunning animation of a traditional Chinese painting that’s making the rounds on the Internet. The video was produced by the Shenzhen branch of the Institute of Digital Media Technology (IDMT), which is associated with Global Digital Creations (GDC). (h/t China Digital Times)

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